It was an accident. An accident? It was the steady ground suddenly tilting into the steep sides of a gorge, and the shitty path and its shitty cracks turned into crumbling rock giving way under shittier shoes, the ones that were going to be thrown out and replaced with the new season because these had paid their dues and there was supposed to be just enough traction for a few more weeks of Weather, before Weather gave way to Heat.
It was an accident in that it happened, it was done, and they were asleep at the bottom of the gorge and it was too steep and too far to get them. Someone else would have to get them.
It had been a long night of extrajudicial murder for Batman; riding out the adrenaline just barely got Bruce Wayne back to his lair under the river.
Man, for someone completely uninvested in the DCEU, I had a lot of thoughts about Batman v Superman, so I… wrote about it. This features Batman and The Flash, Superman, Wonder Woman, and my exasperated long-suffering fave, Perry White.
My short story, “Drink, Kill, Contract,” appears in the anthology Dear Robot: An Anthology of Epistolary Science Fiction, edited by Kelly Ann Jacobson. You can purchase the anthology here and read more about the anthology below:
Dear Robot is an anthology of nineteen science fiction stories told in a variety of epistolary styles. Letters, scientific notes, manuals, and emails all tell different stories about the future. From a behavioral contract for interstellar exchange students to a transmission from an astronaut in space, these sometimes humorous, sometimes heartbreaking stories all use their structure to amplify their message-especially when that message is that a band of deadly robots are chipping away at the door.
I’m so happy Atlas and Alice picked up this short and absurd piece that’s disgustingly close to my heart.
A) ME AND BRADLEY COOPER (PRE-HANGOVER)
There’s a quality like sweetness. It’s made of soft lighting, smiles, laughing with you but not at you. It grows in small spaces. Alias set scenes with Will Tippin in a too-small-for-tv apartment, a space where Jennifer Garner could hide from her premise and fate.
LCRW #33 approaches its theme of humanity’s relationship with the earth with a little humor, a touch of horror, and seventeen different kinds of understanding. Includes multiple award winner Sofia Samatar, Nebula and Shirley Jackson award nominee Carmen Maria Machado, and World Fantasy Award nominee Christopher Brown among others.
You’re a handler on Muldoon’s staff. Handlers are classified as Essential Personnel so when the evacuation call comes, you stay. Your team splits up to put out fires around the island, but you’re the only one who returns to the visitors’ center. You see two raptors swarming with a T-Rex not far behind, so you hide. You enter the building and give yourself an hour in one of the ground floor utility closets while the animal battle in the lobby handles itself. The screeching of the raptors stops; the building is silent. You tell yourself that, thanks to the sheer size of animals you’re dealing with, their movements are easier to track than what you’re used to handling.
You almost believe that, but then you see her.